{"id":30429,"date":"2021-12-11T12:06:00","date_gmt":"2021-12-11T12:06:00","guid":{"rendered":"https:\/\/haberglobal.com.tr\/kultur-sanat\/yoko-ono-the-beatlesi-nasil-harikulade-bir-sekilde-bozdu-148355"},"modified":"2021-12-11T12:06:00","modified_gmt":"2021-12-11T12:06:00","slug":"yoko-ono-beatlesi-bozmayan-kadin","status":"publish","type":"post","link":"https:\/\/istanbulchannel.net\/index.php\/2021\/12\/11\/yoko-ono-beatlesi-bozmayan-kadin\/","title":{"rendered":"Yoko Ono: Beatles’\u0131 bozmayan kad\u0131n"},"content":{"rendered":"

<\/p>\n

Peter Jackson’\u0131n efsanevi \u201cLet It Be\u201d alb\u00fcm\u00fcn\u00fcn yap\u0131m s\u00fcrecini aktard\u0131\u011f\u0131 yakla\u015f\u0131k sekiz saatlik \u201cThe Beatles: Get Back\u201d adl\u0131 belgeselinin ba\u015flar\u0131nda grup, film st\u00fcdyosunun bir k\u00f6\u015fesinde ufak bir \u00e7ember olu\u015fturmu\u015f oturuyor… Neden bilinmez ama Yoko Ono da orada. (Yukar\u0131daki foto\u011fraf) John Lennon’\u0131n uzanabilece\u011fi bir mesafeye t\u00fcnemi\u015f ve y\u00fcz\u00fc, g\u00fcne\u015fi takip eden bir \u00e7i\u00e7ek gibi John’a d\u00f6n\u00fck vaziyette…<\/p>\n

Paul McCartney, I’ve Got a Feeling adl\u0131 par\u00e7ay\u0131 \u00e7almaya ba\u015flad\u0131\u011f\u0131nda Ono diki\u015f dikiyor. Grup, Don’t Let Me Down’\u0131 \u00e7alarken Yoko Ono’yu gazete okur vaziyette g\u00f6r\u00fcyoruz. Lennon piyanonun ba\u015f\u0131na oturdu\u011funda Ono da omzunun dibinde…<\/p>\n

Grup, s\u0131k\u0131\u015f t\u0131k\u0131\u015f bir \u015fekilde kay\u0131t kabinine girdi\u011finde Yoko Ono da orada Lennon ve Ringo Starr’\u0131n aras\u0131na s\u0131k\u0131\u015fm\u0131\u015f, tek kelime konu\u015fmadan Lennon’\u0131n parmaklar\u0131n\u0131n aras\u0131nda sak\u0131z\u0131yla oynuyor. Ono’nun belgeselin her yerde bulunmas\u0131 tuhaf hatta sinir bozucu geliyor. Neden orada? Orada ne i\u015fi var? <\/span><\/strong><\/p>\n

Ama kay\u0131tta saatler ge\u00e7iyor ve Ono hala orada. Bir \u015f\u00f6valede resim yap\u0131yor, hamur yo\u011furuyor, bir Lennon hayran dergisi kar\u0131\u015ft\u0131r\u0131yor. Sonra izlerken dayan\u0131kl\u0131l\u0131\u011f\u0131ndan etkileniyorsunuz, varl\u0131\u011f\u0131n\u0131n k\u0131\u015fk\u0131rtmas\u0131 b\u00fcy\u00fcl\u00fcyor ve nihayetinde performans\u0131yla g\u00f6zleriniz kama\u015f\u0131yor.<\/p>\n

Zira d\u00fcnyan\u0131n gelmi\u015f ge\u00e7mi\u015f en \u00fcnl\u00fc grubunun son performans\u0131na haz\u0131rlan\u0131rken \u00e7ekilmi\u015f ve daha \u00f6nce hi\u00e7 g\u00f6r\u00fclmemi\u015f g\u00f6r\u00fcnt\u00fcleri izlerken Yoko Ono’nun bir k\u00f6\u015fede hi\u00e7bir \u015fey yapmadan oturuyor olmas\u0131na kilitlenmek olduk\u00e7a s\u0131ra d\u0131\u015f\u0131.<\/p>\n

<\/p>\n

BU GRUBU ONO DA\u011eITMADI<\/strong><\/h3>\n

The Beatles: Get Back baz\u0131lar\u0131 i\u00e7in Ono’nun The Beatles’\u0131 da\u011f\u0131tmad\u0131\u011f\u0131n\u0131n kan\u0131t\u0131. Jackson, yakla\u015f\u0131k 60 saatten fazla g\u00f6r\u00fcnt\u00fcden derlenen belgeseli hakk\u0131nda \u201c60 Minutes\u201d adl\u0131 programda yapt\u0131\u011f\u0131 a\u00e7\u0131klamada \u201cYoko, grubun yapt\u0131\u011f\u0131 \u015feylere dair en ufak bir fikir dahi belirtmiyor\u201d diye konu\u015fuyor: \u201cVarl\u0131\u011f\u0131 olduk\u00e7a iyi huylu, iyi niyetli ve en ufak bir m\u00fcdahalede bile bulunmuyor.\u201d<\/p>\n

Dizide McCarthy’nin ta kendisi Ocak 1969’da -grubun da\u011f\u0131lmas\u0131ndan bir y\u0131l \u00f6nce- The Beatles’\u0131n \u201cYoko bir amfinin \u00fczerinde oturuyor diye\u201d da\u011f\u0131laca\u011f\u0131 fikriyle dalga ge\u00e7iyor.<\/p>\n

Dizi belgeselin yap\u0131mc\u0131lar\u0131 aras\u0131nda yer alan Yoko Ono’nun varl\u0131\u011f\u0131 nazik, sessiz ve g\u00f6steri\u015fsiz olarak tan\u0131mlan\u0131yor. Yine de Ono’nun sessiz ve g\u00f6ze \u00e7arpmayan bir \u015fekilde st\u00fcdyoda durdu\u011funu \u00f6ne s\u00fcrmek pek do\u011fru de\u011fil. Elbette st\u00fcdyoda s\u00fcrekli bulunuyor olmas\u0131 rahats\u0131z edici. Kay\u0131tlar\u0131 do\u011frudan etkilemek i\u00e7in orada olmamas\u0131, davran\u0131\u015f\u0131n\u0131 sadece daha g\u00fcl\u00fcn\u00e7 hale getiriyor.<\/span><\/strong><\/p>\n

Grubun sahneye \u00e7\u0131kt\u0131\u011f\u0131 hemen hemen her yerde Yoko Ono da boy g\u00f6steriyordu. Foto\u011fraf: Apple Corps<\/figcaption><\/figure>\n

HARKULADE B\u0130R ANDA SIRADAN B\u0130R \u0130\u015e<\/strong><\/h3>\n

Ono, kendisinin grup i\u015fini yaparken \u201cs\u0131radan\u201d i\u015fler yapt\u0131\u011f\u0131n\u0131 \u00f6ne s\u00fcren bir makaleyi Twitter’da payla\u015ft\u0131. Lakin en ba\u015f\u0131ndan beri Ono’nun varl\u0131\u011f\u0131 gayet kas\u0131tl\u0131 g\u00f6z\u00fck\u00fcyor. Paul McCartney, Let It Be’yi yazmaya \u00e7al\u0131\u015f\u0131rken burnunun dibinde \u201cs\u0131radan bir i\u015f\u201d yapmak en hafif tabirle tuhaf!<\/span> <\/strong>Bu i\u015fleri 21 g\u00fcn boyunca s\u00fcrd\u00fcrmek ise \u00e7ok enteresan!<\/p>\n

Belgeselin s\u00fcresi g\u00f6z \u00f6n\u00fcne al\u0131n\u0131nca Ono’nun provokasyonu t\u00fcm yo\u011funlu\u011fuyla g\u00f6zler \u00f6n\u00fcne seriliyor. Performans\u0131 sanki bir maraton gibi…<\/p>\n

Jackson, dizisini \u201cbelgesel hakk\u0131nda bir belgesel\u201d olarak tan\u0131ml\u0131yor ve orijinal \u201cLet It Be\u201d belgeselinin de yap\u0131m s\u00fcreci i\u015fleniyor. Yani grup asl\u0131nda bir belgesel i\u00e7in kamera \u00f6n\u00fcnde olduklar\u0131n\u0131n fark\u0131nda.<\/span><\/strong><\/p>\n

Kendisinden 7 ya\u015f k\u00fc\u00e7\u00fck John Lennon’la 1966’da bir sanat galerisinde kar\u015f\u0131la\u015fan Ono zaten o g\u00fcnlerde ba\u015far\u0131l\u0131 bir performans sanat\u00e7\u0131s\u0131yd\u0131. Ve alan\u0131 bulunmamas\u0131 gereken yerlerde bulunmakt\u0131.<\/p>\n

Kimilerine g\u00f6re; Ono’nun grubu mahvetti\u011fi fikri kad\u0131n d\u00fc\u015fmanl\u0131\u011f\u0131 oldu\u011fu kadar \u0131rk\u00e7\u0131l\u0131k da kokmakta. Y\u0131llarca \u201ccehennemden gelen hayran\u201d, \u201cejderha kad\u0131n\u201d ve \u201chipnoz edici bir cad\u0131\u201d gibi ifadelerle tan\u0131mland\u0131.<\/span><\/strong><\/p>\n

Evet, Yoko grubu \u201cpar\u00e7alamad\u0131\u201d ama araya girdi\u011fi a\u00e7\u0131k. Belgeselde McCartney, Lennon’la \u015fark\u0131 yazarken Ono’nun her yerde bulunmas\u0131n\u0131n kesintiye u\u011framas\u0131ndan kibarca \u015fikayet ediyor. O asl\u0131nda \u201c\u00fcnl\u00fc rock\u00e7\u0131n\u0131n e\u015fi\u201d kal\u0131b\u0131n\u0131 yerle bir ediyor.<\/p>\n

BU NASIL B\u0130R BA\u011eLILIK? <\/strong><\/h3>\n

Ono kenara \u00e7ekilmeyi reddediyor ama ayn\u0131 zamanda kli\u015feleri canland\u0131rmaya da direniyor; ne \u00e7ok naif ne de i\u011fneleyici bir me\u015fguliyet… Bunun yerine, rock dehas\u0131 adamlar\u0131n alan\u0131na giren kad\u0131n alg\u0131s\u0131na dair t\u00fcm beklentilerine meydan okuyan bir t\u00fcr pasif direni\u015fle me\u015fgul.<\/p>\n

Bu performanslar devam etti. \u201cLet It Be\u201d oturumlar\u0131n\u0131 \u201cAbbey Road\u201d kayd\u0131 izledi ve st\u00fcdyonun m\u00fchendisine g\u00f6re Ono bir trafik kazas\u0131nda yaraland\u0131\u011f\u0131nda Lennon st\u00fcdyoya bir yatak getirtti;<\/span><\/strong> Ono yatarken, arkada\u015flar\u0131 ziyaretine geliyordu! Grotesk bir ba\u011fl\u0131l\u0131k…<\/p>\n

*Bu haberdeki bilgilerin b\u00fcy\u00fck bir k\u0131sm\u0131 The New York Times’ta Amanda Hess imzas\u0131yla ve “The Sublime Spectacle of Yoko Ono Disrupting the Beatles” ba\u015fl\u0131\u011f\u0131yla yay\u0131nlanan makaleden derlenmi\u015ftir.<\/strong><\/p>\n

Kaynak: Web \u00d6zel<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cThe Beatles: Get Back\u201d adl\u0131 belgesel t\u00fcm d\u00fcnyada ses getirirken Yoko Ono bir kez daha oklar\u0131 \u00fczerine \u00e7ekmeyi ba\u015fard\u0131. Grubu…<\/p>\n","protected":false},"author":2,"featured_media":30430,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[184],"tags":[],"class_list":["post-30429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts\/30429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/comments?post=30429"}],"version-history":[{"count":0,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts\/30429\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/media\/30430"}],"wp:attachment":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/media?parent=30429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/categories?post=30429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/tags?post=30429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}