<\/p>\n
Yay\u0131nlanma: <\/span> 15.10.2021– 10:04<\/span><\/time> \/ Son G\u00fcncelleme: <\/span> 15.10.2021 – 10:41<\/span><\/time> <\/span> <\/p>\n<\/p><\/div>\n<\/p><\/div>\n\n\u0130stanbul’un sembol yap\u0131lar\u0131ndan Haldun Taner Sahnesi’nin binas\u0131, 1927’de \u0130talyan mimar Umberto Ferrari taraf\u0131ndan gemilerle Anadolu Yakas\u0131’na getirilen ya\u015f sebze ve meyvelerin mezat\u0131n\u0131n yap\u0131laca\u011f\u0131 hal olarak in\u015fa edildi.<\/p>\nZamanla bir\u00e7ok plans\u0131z eklemeler yap\u0131lan bina itfaiye garaj\u0131, hurda ara\u00e7 deposu ve ofis olarak da kullan\u0131ld\u0131. 1986’da \u0130stanbul \u00dcniversitesi Devlet Konservatuvar\u0131 ve 1989’dan beri de \u0130stanbul \u015eehir Tiyatrolar\u0131 Haldun Taner Sahnesi’ne de ev sahipli\u011fi yap\u0131yor. \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi, y\u0131pranan binada restorasyona giri\u015fti. Yakla\u015f\u0131k 4 ayd\u0131r devam eden restorasyon \u00e7al\u0131\u015fmas\u0131nda, s\u0131va alt\u0131nda kalan Osmanl\u0131ca mimar kitabesi ortaya \u00e7\u0131kar\u0131ld\u0131. Tarihi kitabede Osmanl\u0131ca olarak “U. Ferrari Efendi Mimar in\u015fa etmi\u015ftir 1927” yaz\u0131yor. Y\u00fczey temizli\u011fi yap\u0131lan kitabede mimar\u0131n ad\u0131na da yer verilmesi d\u00f6nemin \u00f6zelli\u011fini yans\u0131t\u0131yor. K\u00fclt\u00fcr Varl\u0131klar\u0131 Projeler M\u00fcd\u00fcr\u00fc Merve Gedik, kitabenin yak\u0131n zamanda korumaya al\u0131naca\u011f\u0131n\u0131 a\u00e7\u0131klad\u0131.<\/p>\n <\/p>\n“K\u0130TABE D\u00d6NEM\u0130N \u00d6ZELL\u0130\u011e\u0130N\u0130 YANSITIYOR”<\/h2>\nKitabe hakk\u0131nda bilgi veren Gedik, “Bu k\u0131s\u0131m asl\u0131nda 1989 y\u0131l\u0131nda eklendi. Bina 1927 y\u0131l\u0131nda hal olarak in\u015fa edildi. Hal olarak \u00e7ok az kullan\u0131lm\u0131\u015f daha sonra \u00e7e\u015fitli kurumlar taraf\u0131ndan el de\u011fi\u015ftirilmi\u015f. 1989 y\u0131l\u0131nda tiyatro salonu eklenirken bu \u00e7imento s\u0131v\u0131 da o tarihte eklenmi\u015f. Asl\u0131nda buras\u0131 yap\u0131n\u0131n d\u0131\u015fa bakan taraf\u0131 fakat \u00fczeri s\u0131vand\u0131\u011f\u0131 i\u00e7in buradaki kitabe de s\u0131va alt\u0131nda kalm\u0131\u015f. Kitabe mimar\u0131n ad\u0131n\u0131 ve yap\u0131m tarihini i\u00e7eriyor. 1927 y\u0131l\u0131nda Umberto Ferrari taraf\u0131ndan in\u015fa edildi\u011fini anlat\u0131yor. Bu kitabeleri \u0130stiklal Caddesi’ndeki yap\u0131larda da \u00e7ok s\u0131k g\u00f6r\u00fcr\u00fcz. Mimarl\u0131k mesle\u011finin art\u0131k mesleki kimlik olarak tan\u0131mland\u0131\u011f\u0131 zamanlar ve in\u015fa edilen zamanlarda tarihi ve mimar\u0131n ad\u0131 bu d\u00f6nem yap\u0131lar\u0131nda \u00e7ok\u00e7a g\u00f6r\u00fclen bir \u00f6zellik. Bu kitabe de bu d\u00f6nemin \u00f6zelli\u011fini yans\u0131t\u0131yor” dedi.<\/p>\n <\/p>\n“Y\u00dcZEY TEM\u0130ZL\u0130\u011e\u0130N\u0130 YAPTIK KORUMAYA ALACA\u011eIZ”<\/h3>\nKitabenin korumaya al\u0131naca\u011f\u0131n\u0131 belirten Gedik, “Kitabeyi yapt\u0131\u011f\u0131m\u0131z s\u0131va raspalar\u0131 sonucu \u00e7imento har\u00e7l\u0131 s\u0131van\u0131n yap\u0131dan uzakla\u015fmas\u0131 esnas\u0131nda ke\u015ffettik, hemen y\u00fczey temizli\u011fini yapt\u0131k. \u015eimdi de di\u011fer imalatlardan etkilenmesin diye koruma alt\u0131na alaca\u011f\u0131z. Hassas bir \u00e7al\u0131\u015fma y\u00fcr\u00fctmeye \u00e7al\u0131\u015f\u0131yoruz. Alt\u0131ndan ne \u00e7\u0131kaca\u011f\u0131n\u0131 \u00f6nceden tahmin edemedi\u011fimiz i\u00e7in el aletleriyle \u00e7al\u0131\u015f\u0131yoruz. O d\u00f6nemler yabanc\u0131 mimarlar T\u00fcrkiye’de \u00e7ok fazla eser vermi\u015f. Umberto Ferrari’de onlardan biri. Yurt d\u0131\u015f\u0131ndan gelip burada eserler veren ekol\u00fcn temsilcisi. Bu bina da asl\u0131nda bakarsan\u0131z ulusal mimarl\u0131k \u00fcslubuyla yap\u0131lm\u0131\u015f bir bina. D\u0131\u015f\u0131na bakt\u0131\u011f\u0131n\u0131z zaman kemerler ve \u00e7ini s\u00fcslemeler var bina asl\u0131nda Sel\u00e7uklu esintisi ta\u015f\u0131yor. Ama yap\u0131m tekni\u011fi bat\u0131l\u0131 diyebiliriz” diye konu\u015ftu.<\/p>\nKaynak: DHA<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":" Restorasyon \u00e7al\u0131\u015fmalar\u0131 devam eden Haldun Taner Sahnesi’nde s\u0131va alt\u0131nda kalan Osmanl\u0131ca mimar kitabesi ortaya \u00e7\u0131kar\u0131ld\u0131. …<\/p>\n","protected":false},"author":2,"featured_media":20272,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[184],"tags":[],"class_list":["post-20271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts\/20271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/comments?post=20271"}],"version-history":[{"count":0,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts\/20271\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/media\/20272"}],"wp:attachment":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/media?parent=20271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/categories?post=20271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/tags?post=20271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u0130stanbul’un sembol yap\u0131lar\u0131ndan Haldun Taner Sahnesi’nin binas\u0131, 1927’de \u0130talyan mimar Umberto Ferrari taraf\u0131ndan gemilerle Anadolu Yakas\u0131’na getirilen ya\u015f sebze ve meyvelerin mezat\u0131n\u0131n yap\u0131laca\u011f\u0131 hal olarak in\u015fa edildi.<\/p>\n
Zamanla bir\u00e7ok plans\u0131z eklemeler yap\u0131lan bina itfaiye garaj\u0131, hurda ara\u00e7 deposu ve ofis olarak da kullan\u0131ld\u0131. 1986’da \u0130stanbul \u00dcniversitesi Devlet Konservatuvar\u0131 ve 1989’dan beri de \u0130stanbul \u015eehir Tiyatrolar\u0131 Haldun Taner Sahnesi’ne de ev sahipli\u011fi yap\u0131yor. \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi, y\u0131pranan binada restorasyona giri\u015fti. Yakla\u015f\u0131k 4 ayd\u0131r devam eden restorasyon \u00e7al\u0131\u015fmas\u0131nda, s\u0131va alt\u0131nda kalan Osmanl\u0131ca mimar kitabesi ortaya \u00e7\u0131kar\u0131ld\u0131. Tarihi kitabede Osmanl\u0131ca olarak “U. Ferrari Efendi Mimar in\u015fa etmi\u015ftir 1927” yaz\u0131yor. Y\u00fczey temizli\u011fi yap\u0131lan kitabede mimar\u0131n ad\u0131na da yer verilmesi d\u00f6nemin \u00f6zelli\u011fini yans\u0131t\u0131yor. K\u00fclt\u00fcr Varl\u0131klar\u0131 Projeler M\u00fcd\u00fcr\u00fc Merve Gedik, kitabenin yak\u0131n zamanda korumaya al\u0131naca\u011f\u0131n\u0131 a\u00e7\u0131klad\u0131.<\/p>\n
Kitabe hakk\u0131nda bilgi veren Gedik, “Bu k\u0131s\u0131m asl\u0131nda 1989 y\u0131l\u0131nda eklendi. Bina 1927 y\u0131l\u0131nda hal olarak in\u015fa edildi. Hal olarak \u00e7ok az kullan\u0131lm\u0131\u015f daha sonra \u00e7e\u015fitli kurumlar taraf\u0131ndan el de\u011fi\u015ftirilmi\u015f. 1989 y\u0131l\u0131nda tiyatro salonu eklenirken bu \u00e7imento s\u0131v\u0131 da o tarihte eklenmi\u015f. Asl\u0131nda buras\u0131 yap\u0131n\u0131n d\u0131\u015fa bakan taraf\u0131 fakat \u00fczeri s\u0131vand\u0131\u011f\u0131 i\u00e7in buradaki kitabe de s\u0131va alt\u0131nda kalm\u0131\u015f. Kitabe mimar\u0131n ad\u0131n\u0131 ve yap\u0131m tarihini i\u00e7eriyor. 1927 y\u0131l\u0131nda Umberto Ferrari taraf\u0131ndan in\u015fa edildi\u011fini anlat\u0131yor. Bu kitabeleri \u0130stiklal Caddesi’ndeki yap\u0131larda da \u00e7ok s\u0131k g\u00f6r\u00fcr\u00fcz. Mimarl\u0131k mesle\u011finin art\u0131k mesleki kimlik olarak tan\u0131mland\u0131\u011f\u0131 zamanlar ve in\u015fa edilen zamanlarda tarihi ve mimar\u0131n ad\u0131 bu d\u00f6nem yap\u0131lar\u0131nda \u00e7ok\u00e7a g\u00f6r\u00fclen bir \u00f6zellik. Bu kitabe de bu d\u00f6nemin \u00f6zelli\u011fini yans\u0131t\u0131yor” dedi.<\/p>\n
Kitabenin korumaya al\u0131naca\u011f\u0131n\u0131 belirten Gedik, “Kitabeyi yapt\u0131\u011f\u0131m\u0131z s\u0131va raspalar\u0131 sonucu \u00e7imento har\u00e7l\u0131 s\u0131van\u0131n yap\u0131dan uzakla\u015fmas\u0131 esnas\u0131nda ke\u015ffettik, hemen y\u00fczey temizli\u011fini yapt\u0131k. \u015eimdi de di\u011fer imalatlardan etkilenmesin diye koruma alt\u0131na alaca\u011f\u0131z. Hassas bir \u00e7al\u0131\u015fma y\u00fcr\u00fctmeye \u00e7al\u0131\u015f\u0131yoruz. Alt\u0131ndan ne \u00e7\u0131kaca\u011f\u0131n\u0131 \u00f6nceden tahmin edemedi\u011fimiz i\u00e7in el aletleriyle \u00e7al\u0131\u015f\u0131yoruz. O d\u00f6nemler yabanc\u0131 mimarlar T\u00fcrkiye’de \u00e7ok fazla eser vermi\u015f. Umberto Ferrari’de onlardan biri. Yurt d\u0131\u015f\u0131ndan gelip burada eserler veren ekol\u00fcn temsilcisi. Bu bina da asl\u0131nda bakarsan\u0131z ulusal mimarl\u0131k \u00fcslubuyla yap\u0131lm\u0131\u015f bir bina. D\u0131\u015f\u0131na bakt\u0131\u011f\u0131n\u0131z zaman kemerler ve \u00e7ini s\u00fcslemeler var bina asl\u0131nda Sel\u00e7uklu esintisi ta\u015f\u0131yor. Ama yap\u0131m tekni\u011fi bat\u0131l\u0131 diyebiliriz” diye konu\u015ftu.<\/p>\n
Kaynak: DHA<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"
Restorasyon \u00e7al\u0131\u015fmalar\u0131 devam eden Haldun Taner Sahnesi’nde s\u0131va alt\u0131nda kalan Osmanl\u0131ca mimar kitabesi ortaya \u00e7\u0131kar\u0131ld\u0131. …<\/p>\n","protected":false},"author":2,"featured_media":20272,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[184],"tags":[],"class_list":["post-20271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts\/20271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/comments?post=20271"}],"version-history":[{"count":0,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts\/20271\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/media\/20272"}],"wp:attachment":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/media?parent=20271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/categories?post=20271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/tags?post=20271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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