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\u0130zmir B\u00fcy\u00fck\u015fehir Belediyesi D\u00fcnya Belediyeler Birli\u011fi (UCLG) K\u00fclt\u00fcr Zirvesi i\u00e7in gala yeme\u011fi d\u00fczenledi. 10 Eyl\u00fcl’de d\u00fczenlenen gala yeme\u011fine CHP Genel Ba\u015fkan\u0131 Kemal K\u0131l\u0131\u00e7daro\u011flu, Avrupa Birli\u011fi B\u00fcy\u00fckel\u00e7isi Nikolaus Meyer Landrut ve 65 \u00fclkenin delegasyon \u00fcyelerinin yan\u0131s\u0131ra CHP’nin \u00f6nemli isimleri kat\u0131ld\u0131.<\/p>\n
Galada konu\u015fan \u0130zmir B\u00fcy\u00fck\u015fehir Belediye Ba\u015fkan\u0131 Tun\u00e7 Soyer, insanl\u0131\u011f\u0131n yeni bir d\u00f6neme\u00e7te oldu\u011funu ve yeni bir k\u00fclt\u00fcrel temele ihtiya\u00e7 oldu\u011funuifade etti. Soyer “Bu nedenle, cesur ad\u0131mlar atarak yerelde ve evrensel \u00f6l\u00e7ekte uygulanabilecek yepyeni bir k\u00fclt\u00fcr yakla\u015f\u0131m\u0131n\u0131 olu\u015fturmak zorunday\u0131z. Bu zirvede tarifini yapt\u0131\u011f\u0131m\u0131z ve resmi deklarasyonda da yer verdi\u011fimiz bu yeni yakla\u015f\u0131m\u0131n ad\u0131: ‘D\u00f6ng\u00fcsel K\u00fclt\u00fcr’. D\u00f6ng\u00fcsel k\u00fclt\u00fcr, k\u00fclt\u00fcr\u00fcn d\u00f6rt ana bile\u015fenini birbirine ba\u011fl\u0131yor. Do\u011fam\u0131zla uyum. Ge\u00e7mi\u015fimizle uyum. Birbirimizle uyum. Ve son olarak, de\u011fi\u015fimle uyum” dedi.<\/p>\n
“KABUL ED\u0130LEMEZ”<\/strong><\/p>\n Bas\u0131na kapal\u0131 etkinlikteki dans g\u00f6sterisi ise tepkilere neden oldu. AK Parti \u0130zmir \u0130l Ba\u015fkan\u0131 Kerem Ali S\u00fcrekli, yapt\u0131\u011f\u0131 a\u00e7\u0131klamada uluslararas\u0131 organizasyonun galas\u0131nda sergilenen danstaki “yar\u0131 \u00e7\u0131plak semazen g\u00f6r\u00fcnt\u00fclerinin” kabul edilemez oldu\u011funu belirtti.<\/p>\n CHP’li \u0130zmir B\u00fcy\u00fck\u015fehir Belediyesi’nin kutlama, anma ve tan\u0131t\u0131mlarda “i\u015fi z\u0131vanadan \u00e7\u0131karmay\u0131 marifet sayd\u0131\u011f\u0131n\u0131” savunan S\u00fcrekli, “9 Eyl\u00fcl zafer y\u00fcr\u00fcy\u00fc\u015f\u00fc kortejinin \u00f6n\u00fcnde palya\u00e7olar\u0131, hokkabazlar\u0131 y\u00fcr\u00fcten zihniyet, \u015fimdi de 700 y\u0131ll\u0131k Mevlevi k\u00fclt\u00fcr\u00fcn\u00fc kurban etmi\u015ftir. Ad\u0131na ‘yeni k\u00fclt\u00fcr aray\u0131\u015f\u0131’ diyerek ortak de\u011ferlerimizi ve tarihimizi yerle yeksan eden bu yakla\u015f\u0131mlar\u0131 ile Mevlana’y\u0131 asl\u0131nda hi\u00e7 anlamad\u0131klar\u0131, \u00f6z\u00fcm\u00fcze ne denli uzak d\u00fc\u015ft\u00fckleri ortadad\u0131r. \u00d6yle ki \u0130zmir\u2019de s\u0131\u011f\u0131nd\u0131klar\u0131 ho\u015fg\u00f6r\u00fc zemini de bu marjinalli\u011fi kald\u0131rmayacakt\u0131r.” ifadelerini kulland\u0131.<\/p>\n MHP \u0130l Ba\u015fkan\u0131 Veysel \u015eahin de belden yukar\u0131s\u0131 \u00e7\u0131plak semazen g\u00f6r\u00fcnt\u00fcleri izledi\u011finde hayretler i\u00e7inde kald\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n \u0130zmir’in kurtulu\u015f g\u00fcn\u00fcnde d\u00fczenlenen kortej y\u00fcr\u00fcy\u00fc\u015f\u00fcnde de tuhaf g\u00f6r\u00fcnt\u00fclerin ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 anlatan \u015eahin, \u015f\u00f6yle konu\u015ftu:<\/p>\n “Israrla Pagos zihniyeti budur, bunun y\u0131k\u0131lmas\u0131 gerekti\u011fini s\u00f6yl\u00fcyorum. Kafalar\u0131n\u0131n arkas\u0131nda mutlaka ba\u015fka hesaplar vard\u0131r. T\u00fcrk k\u00fclt\u00fcr\u00fc, kabullendi\u011fimiz ortak k\u00fclt\u00fcr bunu asl\u0131 kabul etmez. D\u00fcnyaya ba\u015fka bir yerden bak\u0131yorlar. Bunlar ba\u015fka amaca matuf i\u015flerdir. Bunlar T\u00fcrk milletine y\u00f6nelik i\u015fler de\u011fildir. \u0130zmirlinin art\u0131k bu zihniyeti anlamas\u0131 laz\u0131m. Ger\u00e7ekten olacak bir i\u015f de\u011fil.”<\/p>\n G\u00dcNDEM OLAN DANSCI Z\u0130YA AZAZ\u0130 K\u0130MD\u0130R?<\/strong><\/p>\n 1969 y\u0131l\u0131nda Antakya T\u00fcrkiye\u2019de do\u011fdu. 1986-1991 y\u0131llar\u0131 aras\u0131nda \u0130stanbul Teknik \u00dcniversitesi Madencilik Fak\u00fcltesi\u2019nde e\u011fitim g\u00f6rd\u00fc ve bu s\u0131rada jimnastik e\u011fitimi ald\u0131. 1990\u2019dan 1994\u2019e kadar \u0130stanbul Devlet Tiyatrosu\u2019nda ilk koreografik \u00e7al\u0131\u015fmalar\u0131n\u0131 yapt\u0131.<\/p>\n Ziya Azazi, 1994-1998 y\u0131llar\u0131 aras\u0131nda Tanz Atelier Sebastian Prantl (TAW), Tanz Hotel ve Willi Dorner ile birlikte \u00e7al\u0131\u015ft\u0131. 1999’da Viyana’da ‘Unterwegs Tabula Rasa’ adl\u0131 solo performans\u0131n\u0131 sahneledikten sonra Summer Dance Week Vienna (Dance Web) taraf\u0131ndan bursla \u00f6d\u00fcllendirildi ve kendisine Ballet \u0130nternational Dergisi taraf\u0131ndan \u201cAvusturya\u2019da Y\u0131l\u0131n En \u00c7ok \u00d6ne \u00c7\u0131kan Dans\u00e7\u0131s\u0131\u201d unvan\u0131 verildi. 1999’da ilk kez geleneksel sufi dans\u0131n\u0131 ara\u015ft\u0131rmaya ba\u015flad\u0131.Bu dans\u0131 farkl\u0131 koreografilerle yorumlayarak ‘Work in Progress I’ (2001),’Work in Progress II’ (2003) solo koreografilerini olu\u015fturdu. Bu s\u00fcre\u00e7te Vienna Volksoper, Theaterhaus, Stuttgart ve Grand Th\u00e9\u00e2tre de Genevre ile \u00e7al\u0131\u015fmalar\u0131na devam etti. Bu y\u0131llarda geleneksel danslara olan ilgisini s\u00fcrd\u00fcren sanat\u00e7\u0131, bu danslardan edindi\u011fi deneysellik ve tekrar bilgisini kendi sanatsal ve duygusal y\u00f6nelimleriyle birle\u015ftirdi. Bu d\u00f6nemin \u00fcr\u00fcnleri olan ‘Dervish in Progress’ (2004) ve ‘Azab’ (2005) adl\u0131 iki solo \u00e7al\u0131\u015fmas\u0131n\u0131, daha sonra birle\u015ftirerek ‘Dervish’ adl\u0131 eserini olu\u015fturdu.<\/p>\n Solo dans\u0131n\u0131n g\u00fcc\u00fcn\u00fc; devam eden ara\u015ft\u0131rmalar\u0131yla zenginle\u015ftirirken, farkl\u0131 disiplinlerle etkile\u015fim halinde kalmay\u0131 da s\u00fcrd\u00fcrd\u00fc. Bu d\u00f6nemde Frans\u0131z M\u00fczisyen Serge Adam’la birlikte ‘Icons'(2007) adl\u0131 projesini geli\u015ftirdi. Bu projede, ikonla\u015fmay\u0131 ve geleneksel ile kurulan ili\u015fkileri sorgulad\u0131.<\/p>\n Geleneksel ile ilgili sorgulamalar\u0131, tekrar\u0131n nitelikleri ve ya\u015fam d\u00f6ng\u00fcs\u00fc \u00fczerine uzun y\u0131llar s\u00fcren ara\u015ft\u0131rmalar\u0131, onu solo dans\u0131na ate\u015fi eklemeye y\u00f6neltti. Ate\u015fin do\u011fal \u00f6zelliklerini dans\u0131yla harmanlayan sanat\u00e7\u0131, bu s\u00fcre\u00e7te ortaya \u00e7\u0131kan \u00e7al\u0131\u015fmas\u0131na \u201cEmber\u201d (2010) ad\u0131n\u0131 verdi.<\/p>\n Ate\u015f ile olan etkile\u015fimi, d\u00f6n\u00fc\u015f hareketi \u00fczerine \u00e7al\u0131\u015fmalar\u0131 ve d\u00f6ng\u00fcsellik kavram\u0131 \u00fczerine d\u00fc\u015f\u00fcnceleri \u201cEnerji\u201d(2012) adl\u0131 projesinin olu\u015fmas\u0131n\u0131 sa\u011flad\u0131. Bu projesinde, yine farkl\u0131 disiplinlerle \u00e7al\u0131\u015fmay\u0131 tercih etti; enerjinin sonsuz d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fc ve onun esteti\u011fini seyircisiyle payla\u015ft\u0131.<\/p>\n Ziya Azazi, son projesi \u201cBolero\u201d (2014) da ise, Ravel\u2019in m\u00fczi\u011findeki muhte\u015fem tekrar d\u00f6ng\u00fcs\u00fc ile kendi dans\u0131n\u0131n esteti\u011fini birle\u015ftirdi. Bu solosunda y\u0131llar i\u00e7inde geli\u015ftirdi\u011fi t\u00fcm tekni\u011fi yans\u0131tman\u0131n yan\u0131 s\u0131ra teknolojinin imkanlar\u0131n\u0131 da kullanarak seyircisine farkl\u0131 bir dans dinami\u011fi sundu.<\/p>\n Kaynak: Haber Global<\/p>\n","protected":false},"excerpt":{"rendered":" \u0130zmir B\u00fcy\u00fck\u015fehir Belediyesi’nin d\u00fczenledi\u011fi uluslararas\u0131 organizasyonun galas\u0131nda sergilenen dansta g\u00f6sterisine AK Parti Ve MHP \u0130zmir il ba\u015fkanlar\u0131 tepki g\u00f6sterdi. Sosyal medyada…<\/p>\n","protected":false},"author":2,"featured_media":14290,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,185],"tags":[],"class_list":["post-14289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gundem","category-manset"],"_links":{"self":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts\/14289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/comments?post=14289"}],"version-history":[{"count":0,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/posts\/14289\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/media\/14290"}],"wp:attachment":[{"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/media?parent=14289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/categories?post=14289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/istanbulchannel.net\/index.php\/wp-json\/wp\/v2\/tags?post=14289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![](\"https:\/\/istanbulchannel.net\/wp-content\/uploads\/2021\/09\/izmirdeki-semazen-temali-dans-gosterisine-ak-parti-ve-mhpden-tepki-2.jpg\")
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